This design for a house on a Washington state ranch by Peter Macapia, the principal of Brooklyn-based Design Office for Research and Achitecture (DORA), applies his interest in the relationship of formal geometries and energy relations. 



Archrecord 

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YourWorkForThem

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Approaching the Louvre Museum in Abi Dhabi from the city, the white, low cupola seems a flattened echo of the round cupolas found in Arab architecture.

Approaching from the water, the shaded space shows its scattered light, which continues the sparkling light of the water onto the architecture.

On a more abstract level, the museum is a ‘city’ with houses, streets and plaza’s that is ‘protected’ from the sun by a Buckminster Fuller kind of dome. If we fold it a bit further: if ‘protection’ becomes ‘conservation’, we could also read in it all a small Pompeii. The cupola becomes the ash that conserves a civilization.



Eikongraphia

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The new Science Center in Hamburg designed by Rem Koolhaas/OMA looks just like an amethyst. As Rem Koolhaas despises the explicit use of iconography in architectural design, the amethyst analogy is not deliberately meant. The Science Center measures 14.000 square meters and features an aquarium, an academic theater, and probably also a planetarium.



Eikongraphia

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Favoritearchitecture

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The existing construction primarily started as an office building; the building is re-designed as a residence bearing the Loft concept. The long, thin planned building is located on a total 3.870sqm area, the front block consists of 11 stories above the ground floor, and the rear block is ground-floor +7 stories. Lofts are at various sizes and types; differing from 68 to182sqm; including duplexes; with terraces or gardens. The façade is perceived as an assortment of boxes; also, each unique module shall be distinguished from outside due to the curtain system, a range of colors and light will be reflected from inside, as a method of benefiting functional solutions for esthetics purposes. Offering an efficient, tranquil, life style in modern-day standards in “downtown”, the complex is supported by the recent technologies; the car park, storage, central heating and ventilation, security, maintenance services and “intelligent house” system grant a user-friendly environment and easy access. The building is not only programmed as a housing facility but also it is planned to be a high quality social venue; the entrance is made through the lobby on the first floor where meeting rooms, a health center, cafés and restaurants and the other common areas take place. Total site area is 3.456 m² and the construction area is 30.159 m².



Architectureweek

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The Philharmonie de Paris, designed by Jean Nouvel, will be located in the northeastern Paris neighborhood of La Villette and inaugurated in 2012. Above, a model of the northeast view of the concert hall.


NYtime

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腦海中的橡皮擦
導演 : 李宰漢
演員 : 孫藝珍、鄭雨盛

第一次相遇:遺忘了的可樂
時裝設計師淑珍每次到便利店買東西,粗心大意的她總會留下銀包和購買的東西。有天她買了可樂,又是這樣子離開,當她醒覺後返回便利店時,只見一個不修邊幅的男人正慢不經意地喝可樂,淑珍憤怒得一手把可樂搶去,更在對方面前一口氣把可樂喝掉,但原來店員保管了她留下的錢包和可樂,而剛才那個男人已不見了。

第一個吻:遺忘了的感覺
機緣巧合下,淑珍再次遇上那個便利店的男人俊樹 - 一個夢想成為建築師的木匠。這次的重遇,淑珍竟被地位身份懸殊的他所吸引,她純真的愛打動了冷漠內斂的俊樹,令從小就被母親遺棄、孤苦伶仃地長大的他,重拾久違了的被愛感覺,敞開心扉,跟淑珍慢慢由朋友成為戀人,後來淑珍更主動向他求婚。


最痛的意外:忘記你是誰
兩人新婚不久,淑珍的失憶症逐漸惡化,更出現老人痴呆症的早期病徵,她甚至連自己是誰也搞不清楚。然而她極愛俊樹,害怕他會從此於腦海中消失,逐漸俊樹亦開始懂得何謂愛..



Added
  March 05, 2006
From  adiar

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A dramatic new wing of Toronto’s Royal Ontario Museum (ROM) designed by Daniel Libeskind is set to open 2 June. Dubbed the Lee-Chin Crystal, the 175,000 square foot aluminum and glass clad building will house seven collection galleries on two levels, two special exhibition spaces, new retail and dining facilities and a new main entrance and lobby. Libeskind’s ‘Crystal” is comprised of five interlocking, self-supporting prismatic structures that interface with the historic buildings that embrace it. With hardly a right angle anywhere, its sloping walls create unique interior spaces with soaring volumes and such distinctive details as the “Spirit House”, a void at the heart of the building that is traversed by criss-crossing bridges. Slashing windows fill the rooms with natural light and create uniquely framed views of the cityscapes outside. The new wing is the centerpiece of the Museum’s $250 million expansion and renovation project to be completed by 2009.


WorldArchitecturenews

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Perceptive Pixel, Inc. was founded by Jeff Han in 2006 as a spinoff of the NYU Courant Institute of Mathematical Sciences to develop and market the most advanced multi-touch system in the world. 



A five-months-old child lying in his cradle, looking upwards with curiosity and interest at a group of toy bees hung over the cradle, flowing around in the air; the neonate stretches his arm in order to grasp the bees, but doesn't reach them. Those colored moving stimuli are very attractive for the newborn, and he acts expressing his interest. 

Natural Interaction is the investigation of the relationships between humans and machines following this vision: we create interactive artifacts that respect and exploit the natural dynamics through which people communicate and discover the real world.

Our research is aimed at creating technology-enhanced spaces that sense and understand human behaviors and expressions, and present digital content as it was real, physical stuff.





Multi-touch update      NaturalInteraction      iO      Sensitivefloor      Sensitivewall


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LAb[au] is happy to announce you its new urban interactive installation Touch on the DexiaTower and Place Rogier in Brussels, Belgium. The project takes as a starting point Brussels 145 m high DexiaTower, from which 4200 windows can be individually colour-enlightened by RGB-led bars, turning the facade into an immense display.

Instead of considering this infrastructure as a flat screen (surface) displaying pre-rendered video loops, the project is working on the architectural characteristics of the tower and its urban context. The characteristics of the building; orientation, volume, scale… are used as parameters to set up a spatial, temporal and luminous concept, which moreover allows people to directly interact with the tower.
On Place Rogier, at the bottom of the tower, a station is mounted where people can interact either individually or collectively with the tower through a multi touch screen.


MediaArchitecture      Video

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Kunst oder künstlerisch - imposant auf jedenfall! Die Fassade des Parkhaus KaDeWe, ausgestattet mit über 100 farbigen Perspexkanälen und dem
idee. Schriftzug mit LED animiert, macht ordentlich was her.


Roomdividion

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NOMADE has been retained as finalist in the international competition for the Shenzhen Nanshan Sports and Cultural Complex located in Shenzhen, China. Other finalists(4) include Arat Isozaki. Architect of record is BIAD, China.


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The Governor of Kaohsiung, Taiwan announced that Mecanoo architecten has won the design competition for the new National Performing Arts Centre. At 100,000 m2 the National Performing Arts Centre is to become the largest theatre complex in Taiwan. An important source of inspiration for Mecanoo’s building design were the existing one of the world’s largest trees, the banyan trees on location. The partially grass and plant covered roof creates natural and efficient building cooling in the subtropical climate. The large roof also provides an informal public space where the city residents can stroll, practice Tai Chi, mediate or just relax. The design also consists of a concert hall of 2,300 seats, an opera house with 2,000 seats, a theatre hall with 1000 seats, an experimental Black Box with 500 seats, an open-air theatre and park design. Work on the 200m Euros is set to begin in early 2009 and to be completed by 2012.


WorldArchitectureNews

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信義房屋分手快樂篇



Added  March 25, 2007
From  wantyou0720

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這是在2006年就讀交大時,參予劉育東(Aleppo)教授的研究計畫,需要製作一個1:100的大連電子公司大廳內的自由形體模型去參加深圳建築雙年展,當時學校有個設備稱為快速成型機(Rapid Prototyping Machine),這是一個可以將3D模型輸出成ABS塑膠的實體模型,只要你將3D模型輸出STL的檔案再匯入軟體(Insight)內計算,RP就可以開始製作模型了,對於現今建築或者是工業設計者提供了在製作模型上的新方向....

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這是我在2004年準備交大考試的作品集,這是當時與我一位很好的朋友致緯一起合作完成的,設計的地點是在台北公館的寶藏巖,身為規劃者切入的構想,將以保留這個聚落的特色為前提,而避免以外來的因素及力量改變它,甚至破壞它,而絕大部分的規劃者以主觀的藝術創作強殖介入寶藏巖,而埋沒當地民的感受,在訪查當地的同時部份居民也向我們做出反感的回應,反之,我們嘗試依順寶藏巖一貫的有機生長方式延續我們的構想,提出一個從當地居民為考量出發點的行為機制,找出聚落及當地居民生長的脈絡及紋理,經我們四兩撥千斤般的使力,讓「建築」及「藝術」在這裡以自發的型式自然長出。

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上週六去河岸留言聽雷光夏的表演,她在最後唱了一首經典老歌David Gates的IF,這首歌在她的詮釋下實在是非常的好聽!!下面放了原唱的歌曲,大家可以聽聽看..





David Gates, IF


If a picture paints a thousand words, then why can't I paint you?
The words will never show the you I've come to know.
If a face could launch a thousand ships, then where am I to go?
There's no one home but you, You're all that's left me to.
And when my love for life is running dry, you come and pour yourself from me.
If a man could be two places at one time, I'd be with you.
Tommorrow and today, beside you all the way.
If the world should stop revolving spinning slowly down to die,
I'd spend the end with you. And when the world was through,
Then one by one the stars would all go out, then you and I would simply fly away.

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Frank Gehry is adding a much-needed touch of lightness to the Manhattan skyline just as the city finally emerges from a period of mourning.

IAC headquarters building.
March 22, 2007, Manhattan, New York.



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Futuresonic一個將當代的視覺媒體的技術注入音樂文化中,嶄新、前衛的表演方式,突破現有音樂的框架....


Futuresonic 2006bttlsToshio Iwai,   Fennesz


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YouTube video TEST. FOR FUN....



Added  March 16, 2007
From  misterbunbun

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~雷光夏~這位歌手大家應該不是很熟悉,起初我也是,就一次因緣巧合下,我在敦南誠品樓下的演藝廳,聽了一場名為『小王子』的音樂劇,因為這場音樂劇很特殊,她請了~黃心健~也就是「故事巢」的負責人幫她製作人機互動的部份,讓她的音樂與小王子的故事結合,現場讓人有種置身於奇幻世界的氛圍,回頭仔細寧聽她的音樂,在她的詮釋底下,讓人卸下彼此之間的防備,身體自然的放鬆了,直到表演結束,感覺好像夢醒了....



從蚌殼裡吐出的海市蜃樓    是誰短暫的美夢

打開的旅行箱裡擺放著鋼琴、鼓棒、老照片和一片雨雲

接著    那個小孩準備要

離開黑暗的海邊了


雷光夏全心創作專輯    黑暗之光

無法克制的抒情時刻

距離中的深深凝望    輕輕歌唱

冷酷實境裡    溫暖的那道光




News.

雷光夏 + 發光樂隊
河岸留言 3/24 9 : 30 (六)
購票訊息 http://www.riverside.com.tw/

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很想介紹一位歌手給大家認識,她對我而言有一段小故事讓我無法忘懷...~陳綺貞~大家應該不陌生

不知道要如何形容~陳綺貞~她的音樂是多麼的撫慰、觸碰我的內心深處,為何會這麼說,應該是在高職時,1998年她出了個人首張專輯『讓我想一想』裡面的第三首歌「會不會」,記的那一年我失戀了..,這首歌在深夜裡,我不知道反覆的聽了幾遍,不過是越聽越難過啦..但是,確實的我再也無法離開她的音樂,像是徐四金的「香水」葛奴乙對於香味的慾望..只想永遠的擁有。


《會不會 》

曲:陳綺貞
詞:陳綺貞

離開你的視線 卸下我為你偽裝的容顏
紅的唇 白的臉 灰色的午夜

離開你的世界 讓情緒完完整整的渲洩
冷的心 熱的淚 空白的想念

我想今夜就這樣吧 就算孤獨也無所謂
也許有一天你開始後悔 會不會 會不會


不過說來也慚愧,喜歡她這麼久,直到去年她去高雄大港演唱時,我們開車殺到南下,才終於第一次親眼看到她,不用多說,那種喜悅吧!!!

下面是她最新的單曲Nobody Helps Me《Pussy 》

歌曲的創作是來自一段故事:她一個人行走巴黎的地鐵車廂上,因為制止扒手行竊而招致拳打,甚至是被吐口水在臉上,她生平第一次感受到身為女性巨大的無助、憤怒,說著「我的憤怒來自於羞愧,羞愧於自己的憤怒,雖然我沒有錯。」

事後,法國朋友憤怒又羞愧於自己的軟弱,我倒沒有難過,因為我或許更加怯懦,即使面對網路上的欺凌,我也選擇逃避。我忽然想當一隻小貓,即使帶著給人輕蔑的字眼。


《Pussy 》




I had a cat
Something pretty
Something small
Something naive
Won’t tell you lies
Won’t ask you why

I love my cat
Something really…
Something bigger
Something guilty
It takes your time
It takes your trust
So easy

I saw a cat
Without the social lines
Without a good day
Without an eclipse
Nobody helps me
Like I did to my little pussy
Give a hand to anyone

I saw a cat
Without the social lines
Without a good day
Without an eclipse
Nobody helps me
Like I did to my little pussy
Give a hand to anyone
Anyone, anyone…


News.

 

[2007春天的吶喊 鵝鑾鼻燈塔見]
時間:2007/4/5 晚上
地點:鵝鑾鼻燈塔公園
相關網址:http://www.springscream.com/tix/pagetix.php



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Title: The Artist himself
Name: Piotr Wysocki
Country: United Kingdom
Software: Maya, mental ray, Photoshop, ZBrush


前天在cgtalk看到Piotr Wysocki的新作,很難相信這張也是cg作品吧!!
令我咋舌的是這個作品居然也是出自於Maya的Mental ray,前一陣子有看到一些大師的
作品用Maya做出一些極為擬真的人物作品,主因應該是受到Mental ray sss for Maya的
影響,sss就是最常被使用在皮膚製作的材質球,可以把人皮膚透光的質感製作出來,
當然要做出好的作品貼圖也是不可以忽略的,像是這個作品photoshop製作了8張貼圖
,有機會在來分享製作的方法,人物上的毛髮Pioty是使用Maya fur所製作而成,fur就我
所知結合Mental ray
做出這樣的效果並非難事,在light的部份就是經驗了,如何有效的
設定Final Gather and Global Illumination做出期望的效果,再者就是深入了解自然環
境下光影的變化是如何影響物體的..,留給下次在來討論囉。

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好久沒有這樣跟這些相識12年的同學一起出遊了!!
高中的回憶,在此時不斷的從我的腦中浮現..
當時每個人的樣貌、名子,片段的記憶就像是蝴蝶效應般的閃動著!
覺得自己真是幸運,還可以跟這些真誠的朋友聚在一起,多年的感情依舊沒有動搖過
,在台南的那兩天似乎回到了甲工,前一陣子聽到了一些不好的消息,知道甲工同學
有人已經過世、有人身體狀況不是很好聽到這些事時,我真的好難過..,覺得當一些不
幸的事情發生在你的週遭時,你會發現人生真的..,真的要好好珍惜,關愛自己週遭的
人,和好好過自己的生活,因為你不會知道你的生命何時會畫下休止符..
回歸正題,這次的同學會真的好好玩很成功,我想我會一直辦下去跟這些我所關愛的好同學們,大家共勉之吧!!

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       此行真是得來不易,換了幾家旅行社後,在最後一天才順利後補上,早上
8點就到台北火車站等待遊覽車的到來,在集合時就看到一群人,手裡都提著必備的裝備,安全帽、毛巾、手套和一件厚外套,時間到大家浩浩蕩蕩的陸續上車,車上也有一位外國朋友,看的出來她也是有備而來的。

       到了台南之後,領隊跟我們說要我們當護龍使者,其實就是他們會排長達3公里的鞭炮,而我們就是要維護它不被人破壞,感覺好像有點被利用,不過我們也趁它在準備時,到附近的夜市閒晃閒晃,等到快6點時,大會點燃火龍,鞭炮從遠遠的一端,逐步的朝向我們逼近,聲音越來越大聲,到我們面前時,距離不到1公尺,爆炸的威力立即的波及到我們,如雷的聲音,把小魚都震我後方閃躲了,我的耳朵也快承受不住了。

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