Approaching the Louvre Museum in Abi Dhabi from the city, the white, low cupola seems a flattened echo of the round cupolas found in Arab architecture.
Approaching from the water, the shaded space shows its scattered light, which continues the sparkling light of the water onto the architecture.
On a more abstract level, the museum is a ‘city’ with houses, streets and plaza’s that is ‘protected’ from the sun by a Buckminster Fuller kind of dome. If we fold it a bit further: if ‘protection’ becomes ‘conservation’, we could also read in it all a small Pompeii. The cupola becomes the ash that conserves a civilization.